[John Cohen at the Jalopy Theatre. Photo by Eli Smith]
We are very sorry to announce the passing of our dear friend and bandmate John Cohen (1932 - 2019). John passed away peacefully on Monday evening at his home in Putnam Valley, NY.
John Cohen was one of the last of the first. His life and work spanned the arc of the “folk song” movement and movement towards traditional music, which he helped to create, here in New York and around the country. His breadth of knowledge and experience will not be seen again and his acuity of thought was remarkable and singular.
[John Cohen with the Down Hill Strugglers at the 2019 Brooklyn Folk Festival. Photo by Brian Geltner]
Through his work as a founder of the seminal string band the New Lost City Ramblers, his beautiful photography, films and field recordings and work as a record and concert producer, John Cohen had an indelible impact on American culture. It was not something that was supported by the music industry, and did not happen over night. Rather, the meaning and reach of John’s work continued to build over a long period of time, starting in the mid 1950’s and going up until the present time. His effect cannot be quantified. John’s work and ideas operated at a deep level and were revelatory for a great number of people.
John Cohen had a feeling and an idea about music, visual art and culture that he followed for his entire life. He advocated for that idea relentlessly across various disciplines for 70 years. If you knew John, you knew that he had a very strong will. His work meant a great deal to him and he was tireless in that work. He also had a seemingly endless supply of great, mostly corny jokes and was always ready for a pun. Oh lord.
We met John at the home of our mutual friend and musical collaborator Peter Stampfel in 2007. In 2008 we started working with John and we became close friends. He toured the country with us as part of our string band, we played countless shows together. He was a teacher to us as well as a bandmate. We recorded three albums together, and he and Eli worked to produce two albums of historical reissues.
[Warming up with John before playing at the 2019 Brooklyn Folk Festival. Photo by Brian Geltner]
Playing music and simply talking with John was a great pleasure. He raised the level of any project he worked on and taught us so much about how to hear, play and think about music.
We will always remember cooking with him in his old kitchen at his house, having band practices there, listening to music and to his stories and learning from John.
We played with John at every Brooklyn Folk Festival since the beginning, as well as at every Washington Square Park Folk Festival, many shows here at the Jalopy Theatre and many more all across the country, including at the Library of Congress, the Kennedy Center, the Newport Folk Festival and more.
[The Down Hill Strugglers with John Cohen at the Washington Square Park Folk Festival]
John helped shape the ideas about music and culture that we are working with today. Without John’s work and work by the NLCR and associates such Ralph Rinzler, Izzy Young and others, as well as his work with the Beat Generation poets and writers and more - we would not be doing what we are doing now. We would never have even thought of it.
John meant a great deal to us as an artist, cultural worker and as a friend. We will miss him very much and continue in the spirit of his work.
We send our love to his family and many friends around the world.
Check out Eli Smith and Walker Shepard from the Down Hill Strugglers, playing on the score and the in-game music for Red Dead Redemption 2 - which comes out today! It is a truly amazing game, a Western set in 1899.
You will find Eli playing banjo on the game's cinematic score, as well as contributing to the in-game music. In the world of the video game you will hear Eli playing banjo, guitar, jaw harp, mandolin and whistling and Walker playing the fiddle. Eli also arranged and adapted old and traditional songs, re-written to fit the game, and taught the songs to the actors who play the characters... And if you look real close you will find him in the game, in the role of a cowboy, sitting at a campfire playing guitar...
Eli and Walker worked on this game off and on for about 2 1/2 years and are very happy to see it finished and issued to the world.
Says one reviewer: "If there is anything here in this game that feels actually, genuinely perfect, it's the music."
Says another reviewer: "Rockstar Games’ new open-world western opus is exhaustively detailed and exhaustingly beautiful, a mammoth construction of which every nook and cranny has been polished to an unnerving shimmer. It is a stirring tribute to our world’s natural beauty, and a grim acknowledgment of our own starring role in its destruction. It tells a worthy and affecting story that weaves dozens of character-driven narrative threads into an epic tapestry across many miles and almost as many months. When the sun sets and the tale has been told, it leaves players with a virtual wild-west playground so convincingly rendered and filled with surprises that it seems boundless."
And another: "Even more impressive is the selection of original music that references in-game locations and events. Hearing a song about the fictitious city you’re in that references all the other fictitious locations around really helps make the world feel even more alive and connected."